Discourse, Bindi 33,Útgáfa 12011 |
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Síða 116
... Castaño favors the desert , the ocean , and the cosmic convergence of mythic forces over any more richly textured landscape . Revealingly , she has not played out the associations of her two family names , which both designate trees ...
... Castaño favors the desert , the ocean , and the cosmic convergence of mythic forces over any more richly textured landscape . Revealingly , she has not played out the associations of her two family names , which both designate trees ...
Síða 123
... Castaño , O libro da egoísta , 66 . 4. Yolanda Castaño , Elevar as pálpebras [ Elevate one's eyelids ] ( A Coruña , Spain : Espiral Maior , 1995 ) , 20. This thirty - line poem is perhaps Castaño's finest effort in Jorge Guillén's and ...
... Castaño , O libro da egoísta , 66 . 4. Yolanda Castaño , Elevar as pálpebras [ Elevate one's eyelids ] ( A Coruña , Spain : Espiral Maior , 1995 ) , 20. This thirty - line poem is perhaps Castaño's finest effort in Jorge Guillén's and ...
Síða 125
... Castaño , “ Elevar as pálpebras , ” in Elevar as pálpebras ( see note 4 ) , 28–29 ; and " Historia da transformación , ” in Profundidad de campo / Profundidade de campo ( see note 5 ) , 58–63 . 19. See Paolo Virno , " Virtuosity and ...
... Castaño , “ Elevar as pálpebras , ” in Elevar as pálpebras ( see note 4 ) , 28–29 ; and " Historia da transformación , ” in Profundidad de campo / Profundidade de campo ( see note 5 ) , 58–63 . 19. See Paolo Virno , " Virtuosity and ...
Efni
Spinoza Deleuze and Carlos Reygadass | 27 |
Sketches of Contemporary Labor | 55 |
The Tragic Voyage to a Postmodern | 75 |
Höfundarréttur | |
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