The Miles Davis Companion: Four Decades of CommentaryGary Carner Schirmer Books, 1996 - 274 síður The Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
From inside the book
Niðurstöður 1 - 3 af 54
Síða 45
... young , middle - class intellectual seeking high art— a student of the hottest new musical innovations , yet a product of a con- servative , professional , land - owning class . He could study at Juilliard by day and hang out with the ...
... young , middle - class intellectual seeking high art— a student of the hottest new musical innovations , yet a product of a con- servative , professional , land - owning class . He could study at Juilliard by day and hang out with the ...
Síða 92
... young cats , he should play ' young . ' It's a very pretty ballad and should be played just even . This way you can't hear it the way it is ; I'd play it more flowing . Monk writes such pretty melodies and then screws them up . " You ...
... young cats , he should play ' young . ' It's a very pretty ballad and should be played just even . This way you can't hear it the way it is ; I'd play it more flowing . Monk writes such pretty melodies and then screws them up . " You ...
Síða 118
... young musicians who are awed by his presence , instills fear in the hearts of young secretaries at Columbia Records whom he has called white bitches , leaves reporters ignored or confused , talks in absolutes and with seemingly total ...
... young musicians who are awed by his presence , instills fear in the hearts of young secretaries at Columbia Records whom he has called white bitches , leaves reporters ignored or confused , talks in absolutes and with seemingly total ...
Efni
Letter to David Breskin | 1 |
Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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Common terms and phrases
ain't album arrangements artist asked audience bass bassist beat bebop big band Bill Evans Billy Bird Bitches called Cannonball Charlie Parker chords club Coleman Columbia CK Complete Prestige Recordings cool Davis plays Davis records Davis's band Davis's group Dizzy Gillespie drummer drums Ellington feel France fuck Gerry Mulligan Gil Evans gonna guys hear heard Herbie Hancock horn improvisation interview J. J. Johnson Jamal Jazz Festival jazz musician John Coltrane Juilliard Kenny Clarke Kind of Blue knew later listen look Louis melodic Miles Davis Companion Miles Davis's Miles Smiles Miles's modern jazz never night Philly Joe Jones pianist piano piece Prestige Recordings quintet Red Garland rhythm section saxophonist sessions shit solo Sonny Rollins sound style swing talk taped tell tenor there's thing told tours trumpet player voice Wayne Shorter write Yeah York