The Miles Davis Companion: Four Decades of CommentaryGary Carner Schirmer Books, 1996 - 274 síður The Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
From inside the book
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Síða 77
... solo . The exchange of choruses between Coltrane and Cannonball is the high point of the track , and the rhythm section is very stable throughout . Sid's Ahead is , in reality , the old , and now classic , Walkin ' . During his solo ...
... solo . The exchange of choruses between Coltrane and Cannonball is the high point of the track , and the rhythm section is very stable throughout . Sid's Ahead is , in reality , the old , and now classic , Walkin ' . During his solo ...
Síða 78
... solo moaning , screaming , squeezing , and seem- ingly projecting his very soul through the bell of his horn . I ... solo with his left hand accompanying off the beat . He closes the solo with a beautiful harmonization of Miles ...
... solo moaning , screaming , squeezing , and seem- ingly projecting his very soul through the bell of his horn . I ... solo with his left hand accompanying off the beat . He closes the solo with a beautiful harmonization of Miles ...
Síða 178
... solo , Miles acted as if he were on the bandstand , grumbling to the bassist Paul Chambers , " Play the right fucking notes , Paul . " He turned to Daisy and said , " Hey that's some pretty good trumpet playing , don't you think , Daisy ...
... solo , Miles acted as if he were on the bandstand , grumbling to the bassist Paul Chambers , " Play the right fucking notes , Paul . " He turned to Daisy and said , " Hey that's some pretty good trumpet playing , don't you think , Daisy ...
Efni
Letter to David Breskin | 1 |
Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Höfundarréttur | |
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Common terms and phrases
ain't album arrangements artist asked audience bass bassist beat bebop big band Bill Evans Billy Bird Bitches called Cannonball Charlie Parker chords club Coleman Columbia CK Complete Prestige Recordings cool Davis plays Davis records Davis's band Davis's group Dizzy Gillespie drummer drums Ellington feel France fuck Gerry Mulligan Gil Evans gonna guys hear heard Herbie Hancock horn improvisation interview J. J. Johnson Jamal Jazz Festival jazz musician John Coltrane Juilliard Kenny Clarke Kind of Blue knew later listen look Louis melodic Miles Davis Companion Miles Davis's Miles Smiles Miles's modern jazz never night Philly Joe Jones pianist piano piece Prestige Recordings quintet Red Garland rhythm section saxophonist sessions shit solo Sonny Rollins sound style swing talk taped tell tenor there's thing told tours trumpet player voice Wayne Shorter write Yeah York