The Miles Davis Companion: Four Decades of CommentaryThe Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
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Síða 8
But as he confessed later , he was too nervous to take a solo on any of the four sides , just playing “ in a mute " in the ensembles . In that month , Coleman Hawkins , already a staunch supporter of the new sounds , opened at the Down ...
But as he confessed later , he was too nervous to take a solo on any of the four sides , just playing “ in a mute " in the ensembles . In that month , Coleman Hawkins , already a staunch supporter of the new sounds , opened at the Down ...
Síða 78
a solo , Coltrane is very clever and creative in his handling of the substitute chords . Miles strolls ( without piano ) beautifully . He is a true musical conversationalist . Cannonball is quite “ funky ” at times , and Chambers ...
a solo , Coltrane is very clever and creative in his handling of the substitute chords . Miles strolls ( without piano ) beautifully . He is a true musical conversationalist . Cannonball is quite “ funky ” at times , and Chambers ...
Síða 201
Davis's solos here haven't the level , midregister , plaintive lyricism that practically invited lyrics ... and the latter a torrid trumpet solo paced with characteristic deliberation over a fixed mode and nervy rhythmic vamp .
Davis's solos here haven't the level , midregister , plaintive lyricism that practically invited lyrics ... and the latter a torrid trumpet solo paced with characteristic deliberation over a fixed mode and nervy rhythmic vamp .
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Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Not in a Silent Way | 58 |
Höfundarréttur | |
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album arrangements artist asked audience band beat became Bill Bird Blue called chords Clark club Coltrane Columbia Complete concert cool critics Davis's Dizzy don't early everything feel four France Gil Evans Gillespie give guys hand happened he's hear heard horn included interview it's Italy jazz John keep kind knew later leave listen live look Louis March mean Miles Davis Companion Miles's mind move musicians Nat Hentoff never night notes once Parker performance person piano piece play player record rhythm seemed sessions shit solo sound Street style swing talk taped tell thing thought told tours trumpet trying turn voice write York young
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| Titill | The Miles Davis Companion: Four Decades of Commentary Companion Series |
| Editor | Gary Carner |
| Edition | reprint |
| Útgefandi | Schirmer Books, 1996 |
| Original from | Háskólinn í Michigan |
| Digitized | 14 maí 2010 |
| ISBN | 0028646126, 9780028646121 |
| Length | 274 síður |
| Export Citation | BiBTeX EndNote RefMan |