The Miles Davis Companion: Four Decades of CommentaryThe Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
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Síða 33
The rhythm section played with a looseness that pivots off of Williams's cymbal splashes and unclinched rhythms , Carter walking some of the most impressive bass lines of the day , and Hancock developing his own version of the ...
The rhythm section played with a looseness that pivots off of Williams's cymbal splashes and unclinched rhythms , Carter walking some of the most impressive bass lines of the day , and Hancock developing his own version of the ...
Síða 61
With a different rhythm section , he swings — in his way . Sure , there are different ways of swinging . You can break phrases and you can play 7 or 11 - note phrases like Lee does , and they swing , but you can't do it all the time .
With a different rhythm section , he swings — in his way . Sure , there are different ways of swinging . You can break phrases and you can play 7 or 11 - note phrases like Lee does , and they swing , but you can't do it all the time .
Síða 99
matic shift , the new thing Davis was after , would come , much to the author's dismay , at the end of the decade with Davis's adoption of electric instruments , dreamy Stockhausen soundscapes , and rock rhythms .
matic shift , the new thing Davis was after , would come , much to the author's dismay , at the end of the decade with Davis's adoption of electric instruments , dreamy Stockhausen soundscapes , and rock rhythms .
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Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Not in a Silent Way | 58 |
Höfundarréttur | |
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album arrangements artist asked audience band beat became Bill Bird Blue called chords Clark club Coltrane Columbia Complete concert cool critics Davis's Dizzy don't early everything feel four France Gil Evans Gillespie give guys hand happened he's hear heard horn included interview it's Italy jazz John keep kind knew later leave listen live look Louis March mean Miles Davis Companion Miles's mind move musicians Nat Hentoff never night notes once Parker performance person piano piece play player record rhythm seemed sessions shit solo sound Street style swing talk taped tell thing thought told tours trumpet trying turn voice write York young
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| Titill | The Miles Davis Companion: Four Decades of Commentary Companion Series |
| Editor | Gary Carner |
| Edition | reprint |
| Útgefandi | Schirmer Books, 1996 |
| Original from | Háskólinn í Michigan |
| Digitized | 14 maí 2010 |
| ISBN | 0028646126, 9780028646121 |
| Length | 274 síður |
| Export Citation | BiBTeX EndNote RefMan |