The Miles Davis Companion: Four Decades of CommentaryThe Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
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Síða 90
never have anybody write up anything too difficult for us , because then musicians tighten up . “ I love the way John plays . I've got to get that record where he plays by himself . I usually don't buy jazz records .
never have anybody write up anything too difficult for us , because then musicians tighten up . “ I love the way John plays . I've got to get that record where he plays by himself . I usually don't buy jazz records .
Síða 94
Miles never asks an audience to be quiet , as I've heard some jazz musicians do . In fact he never talks to the audience , never says a word to them . I asked him once , “ Why not announce a number ? Why not take a bow at the end of a ...
Miles never asks an audience to be quiet , as I've heard some jazz musicians do . In fact he never talks to the audience , never says a word to them . I asked him once , “ Why not announce a number ? Why not take a bow at the end of a ...
Síða 159
You never seem to play with any vibrato . Did that come from one of these teachers ? Buchanan . He didn't believe in it . He said that all the white guys used it and the best guys were the black guys that just played straight sounds .
You never seem to play with any vibrato . Did that come from one of these teachers ? Buchanan . He didn't believe in it . He said that all the white guys used it and the best guys were the black guys that just played straight sounds .
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Efni
Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Not in a Silent Way | 58 |
Höfundarréttur | |
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album arrangements artist asked audience band beat became Bill Bird Blue called chords Clark club Coltrane Columbia Complete concert cool critics Davis's Dizzy don't early everything feel four France Gil Evans Gillespie give guys hand happened he's hear heard horn included interview it's Italy jazz John keep kind knew later leave listen live look Louis March mean Miles Davis Companion Miles's mind move musicians Nat Hentoff never night notes once Parker performance person piano piece play player record rhythm seemed sessions shit solo sound Street style swing talk taped tell thing thought told tours trumpet trying turn voice write York young