The Miles Davis Companion: Four Decades of CommentaryThe Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
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Síða 46
In the interview , Davis , with his usual clarity and understated hilarity , talked about hiring white musicians , which he has increasingly done over the years and which once generated negative response from black musicians and fans .
In the interview , Davis , with his usual clarity and understated hilarity , talked about hiring white musicians , which he has increasingly done over the years and which once generated negative response from black musicians and fans .
Síða 56
Mulligan and Lewis pitched in with arrangements , while Davis took upon himself the tiresome burden of calling the musicians , organising rehearsals and hustling for gigs . In his first real shot at leadership , he was clearly making an ...
Mulligan and Lewis pitched in with arrangements , while Davis took upon himself the tiresome burden of calling the musicians , organising rehearsals and hustling for gigs . In his first real shot at leadership , he was clearly making an ...
Síða 204
Over the years , Davis's bands celebrated extremes by incorporating black and white musicians of varying styles . As Miles Davis told Amiri Baraka in 1985 , “ White musicians are overtrained and black musicians are undertrained .
Over the years , Davis's bands celebrated extremes by incorporating black and white musicians of varying styles . As Miles Davis told Amiri Baraka in 1985 , “ White musicians are overtrained and black musicians are undertrained .
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Efni
Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Not in a Silent Way | 58 |
Höfundarréttur | |
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