The Miles Davis Companion: Four Decades of CommentaryThe Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
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Síða 11
( During 1950–51 , Bill Russo and Lloyd Lifton devoted four of their Down Beat columns , “ Jazz on Record , ” to analysis of solos from the sessions : Miles's Israel , Move , and God - child , and Konitz's Move . ) ...
( During 1950–51 , Bill Russo and Lloyd Lifton devoted four of their Down Beat columns , “ Jazz on Record , ” to analysis of solos from the sessions : Miles's Israel , Move , and God - child , and Konitz's Move . ) ...
Síða 96
“ I was playing Birdland one week . We're out front during intermission , standing around minding our own business . Broadway was crowded . A convention or something . A cop comes over . ' Move over , ' he says . “ Sure . It's me .
“ I was playing Birdland one week . We're out front during intermission , standing around minding our own business . Broadway was crowded . A convention or something . A cop comes over . ' Move over , ' he says . “ Sure . It's me .
Síða 113
The sound is not unlike that achieved by moving the hand in front of the bell , in this case Harmon - muted . Miles obviously likes the sound ; he's never played wa - wa style , and this way , he can also bend the notes subtly .
The sound is not unlike that achieved by moving the hand in front of the bell , in this case Harmon - muted . Miles obviously likes the sound ; he's never played wa - wa style , and this way , he can also bend the notes subtly .
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Efni
Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Not in a Silent Way | 58 |
Höfundarréttur | |
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