The Miles Davis Companion: Four Decades of CommentaryThe Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
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Síða 94
a a a is like no other voice I've ever heard . A loud whisper through fog and haze you can barely hear . You can hear it once you get used to it . And I was used to it . “ And move that fuckin ' spot out of my eyes .
a a a is like no other voice I've ever heard . A loud whisper through fog and haze you can barely hear . You can hear it once you get used to it . And I was used to it . “ And move that fuckin ' spot out of my eyes .
Síða 121
You're not losing anything with what we're doing now ; you're gaining everything you lost , because you heard all that other shit over and over again . LF : A lot of young people haven't heard it . The kids that heard you at the ...
You're not losing anything with what we're doing now ; you're gaining everything you lost , because you heard all that other shit over and over again . LF : A lot of young people haven't heard it . The kids that heard you at the ...
Síða 190
Have you heard that ? It's a piece Ravel wrote for his friend who went into the army . He came back , but he was a pianist , and he had lost his right hand . So Ravel wrote a piece for left hand and orchestra , for piano .
Have you heard that ? It's a piece Ravel wrote for his friend who went into the army . He came back , but he was a pianist , and he had lost his right hand . So Ravel wrote a piece for left hand and orchestra , for piano .
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Efni
Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Not in a Silent Way | 58 |
Höfundarréttur | |
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album arrangements artist asked audience band beat became Bill Bird Blue called chords Clark club Coltrane Columbia Complete concert cool critics Davis's Dizzy don't early everything feel four France Gil Evans Gillespie give guys hand happened he's hear heard horn included interview it's Italy jazz John keep kind knew later leave listen live look Louis March mean Miles Davis Companion Miles's mind move musicians Nat Hentoff never night notes once Parker performance person piano piece play player record rhythm seemed sessions shit solo sound Street style swing talk taped tell thing thought told tours trumpet trying turn voice write York young