The Miles Davis Companion: Four Decades of CommentaryThe Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
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Síða 91
I gave Gil Evans a couple of his albums , and he didn't give them back . Red Garland knew I liked Ahmad and at times I used to ask ... And that other passage with just two chords gives you a lot more freedom and space to hear things .
I gave Gil Evans a couple of his albums , and he didn't give them back . Red Garland knew I liked Ahmad and at times I used to ask ... And that other passage with just two chords gives you a lot more freedom and space to hear things .
Síða 116
And there are other things he dislikes about most clubs : “ You have to give people something , not just take from them . ” But he doesn't mind playing clubs , he says , provided things are right and the music can be heard .
And there are other things he dislikes about most clubs : “ You have to give people something , not just take from them . ” But he doesn't mind playing clubs , he says , provided things are right and the music can be heard .
Síða 190
Because I used to give him a lot of chords . I would give him five chords to play in one chord , and I would tell him he could play either way . He was the only one who could do that . But I got it from Rachmaninoff , modulating from ...
Because I used to give him a lot of chords . I would give him five chords to play in one chord , and I would tell him he could play either way . He was the only one who could do that . But I got it from Rachmaninoff , modulating from ...
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Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Not in a Silent Way | 58 |
Höfundarréttur | |
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album arrangements artist asked audience band beat became Bill Bird Blue called chords Clark club Coltrane Columbia Complete concert cool critics Davis's Dizzy don't early everything feel four France Gil Evans Gillespie give guys hand happened he's hear heard horn included interview it's Italy jazz John keep kind knew later leave listen live look Louis March mean Miles Davis Companion Miles's mind move musicians Nat Hentoff never night notes once Parker performance person piano piece play player record rhythm seemed sessions shit solo sound Street style swing talk taped tell thing thought told tours trumpet trying turn voice write York young
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| Titill | The Miles Davis Companion: Four Decades of Commentary Companion Series |
| Editor | Gary Carner |
| Edition | reprint |
| Útgefandi | Schirmer Books, 1996 |
| Original from | Háskólinn í Michigan |
| Digitized | 14 maí 2010 |
| ISBN | 0028646126, 9780028646121 |
| Length | 274 síður |
| Export Citation | BiBTeX EndNote RefMan |