The Miles Davis Companion: Four Decades of CommentaryThe Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
From inside the book
Niðurstöður 1 - 3 af 37
Síða 23
By January 1949 , when he recorded “ Overtime ” with Dizzy Gillespie and Fats Navarro , he was taking a backseat to nobody in execution . By May 1949 , when he traveled to France and was recorded in performance , he was muscling his way ...
By January 1949 , when he recorded “ Overtime ” with Dizzy Gillespie and Fats Navarro , he was taking a backseat to nobody in execution . By May 1949 , when he traveled to France and was recorded in performance , he was muscling his way ...
Síða 44
I went back to his music to test and confirm the understanding his words compelled me toward . 1 92 “ What can you say about Miles ? ” Gillespie says . “ He's always changingyou never know what he's going to do next .
I went back to his music to test and confirm the understanding his words compelled me toward . 1 92 “ What can you say about Miles ? ” Gillespie says . “ He's always changingyou never know what he's going to do next .
Síða 119
Hodges , Young , Gillespie , or Peterson , have remained basically unchanged through the years , evolving only within the original framework . Gillespie solos recorded in 1945 and 1971 are clearly recognizable as the work of the same ...
Hodges , Young , Gillespie , or Peterson , have remained basically unchanged through the years , evolving only within the original framework . Gillespie solos recorded in 1945 and 1971 are clearly recognizable as the work of the same ...
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Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Not in a Silent Way | 58 |
Höfundarréttur | |
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album arrangements artist asked audience band beat became Bill Bird Blue called chords Clark club Coltrane Columbia Complete concert cool critics Davis's Dizzy don't early everything feel four France Gil Evans Gillespie give guys hand happened he's hear heard horn included interview it's Italy jazz John keep kind knew later leave listen live look Louis March mean Miles Davis Companion Miles's mind move musicians Nat Hentoff never night notes once Parker performance person piano piece play player record rhythm seemed sessions shit solo sound Street style swing talk taped tell thing thought told tours trumpet trying turn voice write York young
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| Titill | The Miles Davis Companion: Four Decades of Commentary Companion Series |
| Editor | Gary Carner |
| Edition | reprint |
| Útgefandi | Schirmer Books, 1996 |
| Original from | Háskólinn í Michigan |
| Digitized | 14 maí 2010 |
| ISBN | 0028646126, 9780028646121 |
| Length | 274 síður |
| Export Citation | BiBTeX EndNote RefMan |