The Miles Davis Companion: Four Decades of CommentaryGary Carner Schirmer Books, 1996 - 274 síður The Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
From inside the book
Niðurstöður 1 - 3 af 39
Síða 7
... Dizzy , always the proselytizer , had told him that he had to know the key- board in order to understand chords and learn how to build a solo . He also befriended Freddie Webster , a trumpeter with a beautiful tone and advanced ...
... Dizzy , always the proselytizer , had told him that he had to know the key- board in order to understand chords and learn how to build a solo . He also befriended Freddie Webster , a trumpeter with a beautiful tone and advanced ...
Síða 30
... Dizzy . " His extraordinary technique , his large sound , his unlimited swing , and his heroic combination of melancholy and grandeur brought an Armstrong- like bravura to the bebop trumpet . Brown's recordings show that he pos- sessed ...
... Dizzy . " His extraordinary technique , his large sound , his unlimited swing , and his heroic combination of melancholy and grandeur brought an Armstrong- like bravura to the bebop trumpet . Brown's recordings show that he pos- sessed ...
Síða 60
... Dizzy because I can always learn something from him ; he's always playing new progres- sions , etc. Kenny Clarke ... Dizzy play the piano than Brubeck , because Dizzy knows how to touch the piano and he doesn't play too much . A lot of ...
... Dizzy because I can always learn something from him ; he's always playing new progres- sions , etc. Kenny Clarke ... Dizzy play the piano than Brubeck , because Dizzy knows how to touch the piano and he doesn't play too much . A lot of ...
Efni
Letter to David Breskin | 1 |
Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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Common terms and phrases
ain't album arrangements artist asked audience bass bassist beat bebop big band Bill Evans Billy Bird Bitches called Cannonball Charlie Parker chords club Coleman Columbia CK Complete Prestige Recordings cool Davis plays Davis records Davis's band Davis's group Dizzy Gillespie drummer drums Ellington feel France fuck Gerry Mulligan Gil Evans gonna guys hear heard Herbie Hancock horn improvisation interview J. J. Johnson Jamal Jazz Festival jazz musician John Coltrane Juilliard Kenny Clarke Kind of Blue knew later listen look Louis melodic Miles Davis Companion Miles Davis's Miles Smiles Miles's modern jazz never night Philly Joe Jones pianist piano piece Prestige Recordings quintet Red Garland rhythm section saxophonist sessions shit solo Sonny Rollins sound style swing talk taped tell tenor there's thing told tours trumpet player voice Wayne Shorter write Yeah York