The Miles Davis Companion: Four Decades of CommentaryGary Carner Schirmer Books, 1996 - 274 síður The Miles Davis Companion profiles the life and career of jazz trumpeter Miles Davis. From '50s "cool" jazz to '70s jazz-rock fusion to '90s hip-hop, Davis was an innovative musician who always created new sounds and styles. Throughout his career, Davis attacked stereo-types and refused to kowtow to the musical (or popular) press. The Companion draws on profiles, interviews, liner notes, and original reviews of recordings to give a full picture of his work. It also includes essays on the impact of Davis's life and music, his controversial stance toward women and other musicians, and his transformation from jazz musician to cultural icon. |
From inside the book
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Síða 77
... Coltrane , and Red Garland were just some of musicians learning their craft in the clubs around Broad and Columbia Avenue . ( Philly Joe Jones also was a product of the Philadelphia scene , but left for New York after his stint in the ...
... Coltrane , and Red Garland were just some of musicians learning their craft in the clubs around Broad and Columbia Avenue . ( Philly Joe Jones also was a product of the Philadelphia scene , but left for New York after his stint in the ...
Síða 78
... Coltrane enters into his solo moaning , screaming , squeezing , and seem- ingly projecting his very soul through the bell of his horn . I feel that this man is definitely blazing a new musical trail . Philly and Red Garland back the ...
... Coltrane enters into his solo moaning , screaming , squeezing , and seem- ingly projecting his very soul through the bell of his horn . I feel that this man is definitely blazing a new musical trail . Philly and Red Garland back the ...
Síða 100
... Coltrane and Paul Chambers , kept Garland and Jones , and thus formed his first quintet . Over the next six years , Davis adapted many things from Jamal . Different rhythms were used to support featured instrumentalists , there were ...
... Coltrane and Paul Chambers , kept Garland and Jones , and thus formed his first quintet . Over the next six years , Davis adapted many things from Jamal . Different rhythms were used to support featured instrumentalists , there were ...
Efni
Letter to David Breskin | 1 |
Play the Right Thing | 21 |
Homage to Miles Davis | 41 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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Common terms and phrases
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