Languages of Truth: Essays 2003-2020
Random House Publishing Group, 25. maí 2021 - 368 síđur
Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author
Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.
Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship.
Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination.
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And I began to remember the stories that had made me fall in love with literature in the first place, tales full of beautiful impossibility, which were not true but by being not true told the truth, often more beautifully and memorably ...
For innovation, for newness—and remember that the word “novel” contains the idea of newness—we must turn to irrealism and find new ways of approaching the truth through lies. The wonder tales of my childhood taught me not only that such ...
Melville and Conrad found their stories at sea and in faraway lands, and Hemingway and Fitzgerald too had to leave home to find their voices in Spain, or the Riviera, or East and West Egg. The other solution is to remember that fiction ...
What people remember now about Edward Bond is that he wrote a play called Saved, in which a baby was stoned to death onstage, or, to be exact, actors threw stones at a pram in which the audience was informed a baby was lying, ...
This is what people do when they experience literature on a stage or in a book, but they forget they are doing it, or if they remember they don't think it's important, they think it's natural, even though it's the opposite, ...
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LibraryThing ReviewUmsögn notanda - bookboy804 - LibraryThing
Engaging, stylish, beautifully written essays on language, storytelling, authors; essays derived from PEN related speeches, introductions, commencement addresses; essays on visual artists. Introduced and reintroduced me to wonderful authors and artists, and engaging ideas. Highly recommended. Read full review
Hans Christian Andersen
Very Well Then I Contradict Myself
The Pen and the Sword
PEN World Voices Opening Night 2017
The Emperor Akbar and the Making
Bhupen Khakhar 19342003
An American Index of the Hidden and Unfamiliar
Harold Pinter 19302008
Introduction to The Paris Review Interviews Vol IV
From Saligia to Oblomov
Kara Walker at the Hammer Museum Los Angeles 2009
The Unbelievers Christmas
A Personal Engagement with the Coronavirus