Languages of Truth: Essays 2003-2020Random House Publishing Group, 25. maí 2021 - 368 síður Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time. Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship. Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination. |
From inside the book
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... , as far as women were concerned, of sexuality and death. In Samarkand the carnage continued for at least another one thousand nights and one night, because it was only at the conclusion of the entire cycle of Scheherazade's tales—
... , as far as women were concerned, of sexuality and death. In Samarkand the carnage continued for at least another one thousand nights and one night, because it was only at the conclusion of the entire cycle of Scheherazade's tales—
Síða
... least— Schneewittchen, or “Snow White,” with its wicked queen gazing into the magic mirror on her wall and asking her lethal question, “Who's the fairest one of all?”—we see the arrival of what will become, in Renaissance art and ...
... least— Schneewittchen, or “Snow White,” with its wicked queen gazing into the magic mirror on her wall and asking her lethal question, “Who's the fairest one of all?”—we see the arrival of what will become, in Renaissance art and ...
Síða
... least this is the way I remember it, this is the golden calf I've made from whatever it was that actually came out of Brenton's mouth—that one of the greatest gifts given by Shakespeare to writers in the English language is his ...
... least this is the way I remember it, this is the golden calf I've made from whatever it was that actually came out of Brenton's mouth—that one of the greatest gifts given by Shakespeare to writers in the English language is his ...
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Efni
Heraclitus | |
Another Writers Beginnings | |
Philip Roth | |
Kurt Vonnegut and SlaughterhouseFive | |
Samuel Becketts Novels | |
Cervantes and Shakespeare | |
Hans Christian Andersen | |
Very Well Then I Contradict Myself | |
The Pen and the Sword | |
PEN World Voices Opening Night 2017 | |
The Emperor Akbar and the Making | |
Letters | |
Bhupen Khakhar 19342003 | |
An American Index of the Hidden and Unfamiliar | |
Harold Pinter 19302008 | |
Introduction to The Paris Review Interviews Vol IV | |
Adaptation | |
From Saligia to Oblomov | |
Kara Walker at the Hammer Museum Los Angeles 2009 | |
The Unbelievers Christmas | |
A Personal Engagement with the Coronavirus | |
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