Languages of Truth: Essays 2003-2020
Random House Publishing Group, 25. maí 2021 - 368 síđur
Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author
Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.
Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship.
Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination.
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One of the most remarkable characteristics of the stories now gathered in the pages of The Thousand Nights and One Night, to take just one example, is the almost complete absence of religion. Lots of sex, much mischief, a great deal of ...
There are indeed in that book several references to sex, and the characters seem much more preoccupied with having sex than being devout, which could indeed be, as the lawyers argued, a call to vice, if that's the deformed puritanical ...
It began, or so the story goes, when Shah Zaman found his wife in the arms of a palace cook, whose chief characteristics were that he was (a) black, (b) huge, and (c) covered in kitchen grease. In spite of, or perhaps because of, ...
(Parenthetically: Those who have not read Haroun and the Sea of Stories will no doubt be impressed to know that it was featured on the TV series Lost, where it played the part of the book being read by the character Desmond on Oceanic ...
In Sheldon Cashdan's study The Witch Must Die, he proposes that female characters are used in folktale as exemplars of the deadly sins: the vanity of the queen in “Snow White” (“mirror, mirror on the wall”); the envy of Cinderella, ...
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LibraryThing ReviewUmsögn notanda - bookboy804 - LibraryThing
Engaging, stylish, beautifully written essays on language, storytelling, authors; essays derived from PEN related speeches, introductions, commencement addresses; essays on visual artists. Introduced and reintroduced me to wonderful authors and artists, and engaging ideas. Highly recommended. Read full review
Hans Christian Andersen
Very Well Then I Contradict Myself
The Pen and the Sword
PEN World Voices Opening Night 2017
The Emperor Akbar and the Making
Bhupen Khakhar 19342003
An American Index of the Hidden and Unfamiliar
Harold Pinter 19302008
Introduction to The Paris Review Interviews Vol IV
From Saligia to Oblomov
Kara Walker at the Hammer Museum Los Angeles 2009
The Unbelievers Christmas
A Personal Engagement with the Coronavirus