Languages of Truth: Essays 2003-2020Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time. Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship. Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination. |
From inside the book
Niðurstöður 1 - 5 af 67
Síða
I believe that the books and stories we fall in love with make us who we are, or, not to claim too much, that the act of falling in love with a book or story changes us in some way, and the beloved tale becomes a part of our picture of ...
I believe that the books and stories we fall in love with make us who we are, or, not to claim too much, that the act of falling in love with a book or story changes us in some way, and the beloved tale becomes a part of our picture of ...
Síða
... such inconveniences as members of other religions to complicate matters. The politicization of the Ramayana, and of Hinduism in general, has become, in the hands of unscrupulous sectarian leaders, a dangerous affair. The attack on the.
... such inconveniences as members of other religions to complicate matters. The politicization of the Ramayana, and of Hinduism in general, has become, in the hands of unscrupulous sectarian leaders, a dangerous affair. The attack on the.
Síða
... and she crosses the line to give him what he wants. This is how he captures her and spirits her away to his kingdom of Lanka, after which Ram and Lakshman have to fight a war to get her back. To “cross the Lakshman rekha” has become ...
... and she crosses the line to give him what he wants. This is how he captures her and spirits her away to his kingdom of Lanka, after which Ram and Lakshman have to fight a war to get her back. To “cross the Lakshman rekha” has become ...
Síða
For example, there's a legend that King Solomon possessed one that could change its size and become big enough to transport an army: the world's first air force. But in The Arabian Nights, all carpets remain passive and inert.
For example, there's a legend that King Solomon possessed one that could change its size and become big enough to transport an army: the world's first air force. But in The Arabian Nights, all carpets remain passive and inert.
Síða
sister, Dunyazad, finally, after one thousand nights and one night and more, become murderers and kill their bloodthirsty husbands? It was, I confess, the bloody aspect of the frame story that first attracted me to The Arabian Nights.
sister, Dunyazad, finally, after one thousand nights and one night and more, become murderers and kill their bloodthirsty husbands? It was, I confess, the bloody aspect of the frame story that first attracted me to The Arabian Nights.
What people are saying - Write a review
Reviews aren't verified, but Google checks for and removes fake content when it's identified
LibraryThing Review
Umsögn notanda - bookboy804 - LibraryThingEngaging, stylish, beautifully written essays on language, storytelling, authors; essays derived from PEN related speeches, introductions, commencement addresses; essays on visual artists. Introduced and reintroduced me to wonderful authors and artists, and engaging ideas. Highly recommended. Read full review
Efni
Part | |
The Pen and the Sword | |
PEN World Voices Opening Night 2017 | |
Part Four | |
London 2005 | |
An American Index of the Hidden and Unfamiliar | |
Aðrar útgáfur - View all
Common terms and phrases
actually adaptation American answer artists asked beautiful became become beginning believe better Bombay British called character close created dead death English example face fact father feel fiction figure freedom give gods hand happened hijras human hundred idea imagination India interesting it’s kind king knew language later learned least less literary literature lives London look lost magic means mind movie nature never night novel once original painting perhaps Persian person picture play political published question readers reality religious remember Roth seems Shakespeare sometimes speak story tell things thought told true truth trying turn understand voice whole women wonder writers wrote young
Bókfræðilegar upplýsingar
| Titill | Languages of Truth: Essays 2003-2020 |
| Höfundur | Salman Rushdie |
| Útgefandi | Random House Publishing Group, 2021 |
| ISBN | 0593133188, 9780593133187 |
| Length | 368 síður |
| Export Citation | BiBTeX EndNote RefMan |