Languages of Truth: Essays 2003-2020Random House Publishing Group, 25. maí 2021 - 368 síđur Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time. Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship. Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination. |
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... London , and in Canada by Knopf Canada , an imprint of Penguin Random House Canada , Toronto . The essays and speeches in this work originally appeared in different form and most pieces have been previously published . A source list can ...
... London , and in Canada by Knopf Canada , an imprint of Penguin Random House Canada , Toronto . The essays and speeches in this work originally appeared in different form and most pieces have been previously published . A source list can ...
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... London, 2005 Taryn Simon: An American Index of the Hidden and Unfamiliar, Whitney Museum, New York, 2007 Kara Walker at the Hammer Museum, Los Angeles, 2009 Sebastiăo Salgado The Unbeliever's Christmas Carrie Fisher Pandemic: A Personal ...
... London, 2005 Taryn Simon: An American Index of the Hidden and Unfamiliar, Whitney Museum, New York, 2007 Kara Walker at the Hammer Museum, Los Angeles, 2009 Sebastiăo Salgado The Unbeliever's Christmas Carrie Fisher Pandemic: A Personal ...
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... London, known as the Old Bailey; he assembles it in his living room and shortly afterward finds himself on trial in it. A clerk states that on a certain day the defendant, our hero, “was not in this world.” " What world was he in , then ? "
... London, known as the Old Bailey; he assembles it in his living room and shortly afterward finds himself on trial in it. A clerk states that on a certain day the defendant, our hero, “was not in this world.” " What world was he in , then ? "
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... London theatergoers being capable of going either way , sat in cheap and expensive seats to watch it happen , and this was not in gladiatorial Rome , after all , not even in London back in the day when crowds would gather at what is now ...
... London theatergoers being capable of going either way , sat in cheap and expensive seats to watch it happen , and this was not in gladiatorial Rome , after all , not even in London back in the day when crowds would gather at what is now ...
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Essays 2003-2020 Salman Rushdie. London , " swinging as hard as it could , swinging , as the song had it , like a pendulum do . Now , the fictionality of fiction is an important matter ; it lies at the heart of the transaction , the ...
Essays 2003-2020 Salman Rushdie. London , " swinging as hard as it could , swinging , as the song had it , like a pendulum do . Now , the fictionality of fiction is an important matter ; it lies at the heart of the transaction , the ...
Efni
Heraclitus | |
Another Writers Beginnings | |
Philip Roth | |
Kurt Vonnegut and SlaughterhouseFive | |
Samuel Becketts Novels | |
Cervantes and Shakespeare | |
Hans Christian Andersen | |
Very Well Then I Contradict Myself | |
The Pen and the Sword | |
PEN World Voices Opening Night 2017 | |
The Emperor Akbar and the Making | |
Letters | |
Bhupen Khakhar 19342003 | |
An American Index of the Hidden and Unfamiliar | |
Harold Pinter 19302008 | |
Introduction to The Paris Review Interviews Vol IV | |
Adaptation | |
From Saligia to Oblomov | |
Kara Walker at the Hammer Museum Los Angeles 2009 | |
The Unbelievers Christmas | |
A Personal Engagement with the Coronavirus | |
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adaptation Ai Weiwei Akbar American answer artists asked beautiful became become believe Bhupen Bombay British called character comedy created dead death dream Dunyazad English everything father feel fiction film freedom Gabriel García Márquez García Márquez giant gods Hamza Hamzanama Harold Harold Pinter hero hijras Hindu human Human Stain idea imagination India king knew Kurt Vonnegut language liberty literary literature lives London look magic magic realism Midnight's Children movie Muslim never night novel novelist Oblomov once original painting Pakistan perhaps Philip Roth picture Pinter play political portrait question readers realism reality religion religious remember Saleem Satanic Verses Shah Zaman Shakespeare Slaughterhouse-Five sloth speak story tale tell there’s things thought Tin Drum told Tralfamadore truth turn understand women wonder words writers wrote young