Languages of Truth: Essays 2003-2020
Random House Publishing Group, 25. maí 2021 - 368 síđur
Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author
Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.
Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship.
Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination.
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Published simultaneously in the United Kingdom by Jonathan Cape, a division of Penguin Random House UK, London, and in Canada by Knopf Canada, an imprint of Penguin Random House Canada, Toronto. The essays and speeches in this work ...
... the Making of the Hamzanama Amrita Sher-Gil: Letters Bhupen Khakhar (1934–2003) Being Francesco Clemente: Self-Portraits, Gagosian Gallery, London, 2005 Taryn Simon: An American Index of the Hidden and Unfamiliar, Whitney Museum, ...
In this play, a man receives by mail order a full-size replica in do-it-yourself kit form of a courtroom in the Central Criminal Court in London, known as the Old Bailey; he assembles it in his.
... others not, London theatergoers being capable of going either way, sat in cheap and expensive seats to watch it happen, and this was not in gladiatorial Rome, after all, not even in London back in the day when crowds would gather at ...
London,” swinging as hard as it could, swinging, as the song had it, like a pendulum do. Now, the fictionality of fiction is an important matter; it lies at the heart of the transaction, the contract, between the work and its audience, ...
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LibraryThing ReviewUmsögn notanda - bookboy804 - LibraryThing
Engaging, stylish, beautifully written essays on language, storytelling, authors; essays derived from PEN related speeches, introductions, commencement addresses; essays on visual artists. Introduced and reintroduced me to wonderful authors and artists, and engaging ideas. Highly recommended. Read full review
Hans Christian Andersen
Very Well Then I Contradict Myself
The Pen and the Sword
PEN World Voices Opening Night 2017
The Emperor Akbar and the Making
Bhupen Khakhar 19342003
An American Index of the Hidden and Unfamiliar
Harold Pinter 19302008
Introduction to The Paris Review Interviews Vol IV
From Saligia to Oblomov
Kara Walker at the Hammer Museum Los Angeles 2009
The Unbelievers Christmas
A Personal Engagement with the Coronavirus