Languages of Truth: Essays 2003-2020Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time. Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship. Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination. |
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And from French the stories made it into English, and from English they journeyed to Hollywood, which is a language of its own, and then it's all flying carpets and Robin Williams as The Genie. (It's worth noting, by the way, ...
And from French the stories made it into English, and from English they journeyed to Hollywood, which is a language of its own, and then it's all flying carpets and Robin Williams as The Genie. (It's worth noting, by the way, ...
Síða
They also ended up in Hebrew and Latin and eventually, as The Fables of Bidpai, in English and French. Unlike the Arabian Nights stories, however, they have faded from modern readers' consciousness, perhaps because their insufficient ...
They also ended up in Hebrew and Latin and eventually, as The Fables of Bidpai, in English and French. Unlike the Arabian Nights stories, however, they have faded from modern readers' consciousness, perhaps because their insufficient ...
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Edward Bond understood that the silence of Shakespeare is the interesting mystery, the decision of the greatest genius in the history of English literature to walk away from that genius, at the height of his career, to give up writing ...
Edward Bond understood that the silence of Shakespeare is the interesting mystery, the decision of the greatest genius in the history of English literature to walk away from that genius, at the height of his career, to give up writing ...
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... is not laid down by high priests of literature, not a stone-carved commandment brought down from Sinai or the Cambridge University English faculty by a Leavisite Moses but a pagan thing, a melting down of treasures, a golden calf.
... is not laid down by high priests of literature, not a stone-carved commandment brought down from Sinai or the Cambridge University English faculty by a Leavisite Moses but a pagan thing, a melting down of treasures, a golden calf.
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... by Shakespeare to writers in the English language is his incredible freedom of form, a freedom not granted to, for example, French writers by, for example, Racine, who might have been a great playwright but his forms weren't free, ...
... by Shakespeare to writers in the English language is his incredible freedom of form, a freedom not granted to, for example, French writers by, for example, Racine, who might have been a great playwright but his forms weren't free, ...
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Umsögn notanda - bookboy804 - LibraryThingEngaging, stylish, beautifully written essays on language, storytelling, authors; essays derived from PEN related speeches, introductions, commencement addresses; essays on visual artists. Introduced and reintroduced me to wonderful authors and artists, and engaging ideas. Highly recommended. Read full review
Efni
Heraclitus | |
Another Writers Beginnings | |
Philip Roth | |
Kurt Vonnegut and SlaughterhouseFive | |
Samuel Becketts Novels | |
Cervantes and Shakespeare | |
Hans Christian Andersen | |
Very Well Then I Contradict Myself | |
The Pen and the Sword | |
PEN World Voices Opening Night 2017 | |
The Emperor Akbar and the Making | |
Letters | |
Bhupen Khakhar 19342003 | |
An American Index of the Hidden and Unfamiliar | |
Harold Pinter 19302008 | |
Introduction to The Paris Review Interviews Vol IV | |
Adaptation | |
From Saligia to Oblomov | |
Kara Walker at the Hammer Museum Los Angeles 2009 | |
The Unbelievers Christmas | |
A Personal Engagement with the Coronavirus | |
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actually adaptation American answer artists asked beautiful became become beginning believe better Bombay British called character close created dead death English example face fact father feel fiction figure freedom give gods hand happened hijras human hundred idea imagination India interesting it’s kind king knew language later learned least less literary literature lives London look lost magic means mind movie nature never night novel once original painting perhaps Persian person picture play political published question readers religious remember Roth seems Shakespeare sometimes speak stand story tell things thought told true truth trying turn understand voice whole women wonder writers wrote young
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| Titill | Languages of Truth: Essays 2003-2020 |
| Höfundur | Salman Rushdie |
| Útgefandi | Random House Publishing Group, 2021 |
| ISBN | 0593133188, 9780593133187 |
| Length | 368 síður |
| Export Citation | BiBTeX EndNote RefMan |