Media Culture: Cultural Studies, Identity and Politics between the Modern and the Post-modernRoutledge, 13. júl. 2003 - 726 síður First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company. |
Efni
INTRODUCTION | 1 |
Cultural studies and social theory | 8 |
THEORY WARS AND CULTURAL STUDIES | 15 |
FROM | 55 |
FOR A CULTURAL STUDIES THAT IS CRITICAL | 93 |
SOCIAL ANXIETY CLASS AND DISAFFECTED YOUTH | 125 |
BLACK VOICES FROM SPIKE LEE TO RAP | 157 |
TELEVISION ADVERTISING AND THE CONSTRUCTION | 231 |
MADONNA FASHION AND IMAGE | 263 |
FROM | 297 |
FROM THE FUTURE BACK TO THE PRESENT | 331 |
Media and cultural politics | 337 |
352 | |
Aðrar útgáfur - View all
Media Culture: Cultural Studies, Identity, and Politics Between the Modern ... Douglas Kellner Takmarkað sýnishorn - 1995 |
Media Culture: Cultural Studies, Identity and Politics Between the Modern ... Douglas Kellner Takmarkað sýnishorn - 2003 |
Media Culture: Cultural Studies, Identity and Politics Between the Modern ... Douglas Kellner Engin sýnishorn í boði - 1995 |
Common terms and phrases
action American analysis appeared argue articulate artifacts attack attempt audience Baudrillard Beavis become behavior Bush Butt-Head characters claims concept concerning conservative construction contemporary continued contrast critical critique cultural studies cyberpunk describe develop discourses discussion domination effects experience fashion fears figures film forces forms future gender groups Gulf highly Hollywood human identity ideology images important individuals interests interpretation Kellner liberal live look Madonna male Marxism meanings media culture military models modernist narrative nature noted one's oppositional oppression perspectives play political popular positions possible postmodern practices present produce promote question race radical Rambo relations resistance role scene School sense sexuality social society specific strategies struggles style suggests television term texts theory traditional turn United values violence vision women young