Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 12-13Indiana University Press, 1989 |
From inside the book
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Síða 84
... punk , just as Benjamin would have it , was style , the formal embodiment of Refusal as shock - effect , or " noise " ( visual more than aural , in Hebdige's reading ) . Though punk still exercises a considerable influence on a new ...
... punk , just as Benjamin would have it , was style , the formal embodiment of Refusal as shock - effect , or " noise " ( visual more than aural , in Hebdige's reading ) . Though punk still exercises a considerable influence on a new ...
Síða 95
... punk very well : " An awful resentment stirred in him — why shouldn't he have had his chance like all the rest , seen his glimpse of heaven if it was only a crack between the Brighton walls . ' 9942 Besides the music itself , and its ...
... punk very well : " An awful resentment stirred in him — why shouldn't he have had his chance like all the rest , seen his glimpse of heaven if it was only a crack between the Brighton walls . ' 9942 Besides the music itself , and its ...
Síða 96
... punk gave the lie in particular to the “ opulence and grandeur " of art - rock , and its asocial , plutocratic " aesthetic of artistic excellence . " Laing's analysis of the amplified working - class voice in punk rock , however ...
... punk gave the lie in particular to the “ opulence and grandeur " of art - rock , and its asocial , plutocratic " aesthetic of artistic excellence . " Laing's analysis of the amplified working - class voice in punk rock , however ...
Efni
1 FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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