Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 12-13Indiana University Press, 1989 |
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Síða 74
... Bruno . In the context of his accidental meeting with Bruno , the “ A ” engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to suggest ...
... Bruno . In the context of his accidental meeting with Bruno , the “ A ” engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to suggest ...
Síða 76
... Bruno does . He does not desire Bruno , Bruno desires him . In this respect , Hitchcock's film follows the example of contemporary juridical discourse in privileging a psychoanalytic understanding of male subjectivity . In particular ...
... Bruno does . He does not desire Bruno , Bruno desires him . In this respect , Hitchcock's film follows the example of contemporary juridical discourse in privileging a psychoanalytic understanding of male subjectivity . In particular ...
Síða 77
... Bruno ; rather the choice is made for him . He continues to mimic Bruno's actions even in the final shots of the film . He pursues Bruno through the amusement park just as Bruno once pursued Miriam . More- over , in these shots , Bruno ...
... Bruno ; rather the choice is made for him . He continues to mimic Bruno's actions even in the final shots of the film . He pursues Bruno through the amusement park just as Bruno once pursued Miriam . More- over , in these shots , Bruno ...
Efni
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