Discourse, Bindi 27-282006 |
From inside the book
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Síða 31
look at them without flinching ( which is not the same thing as to look at them without sadness ) . Why has that encounter become so taboo ? What is so discomforting about postmortem photography ? What makes it so different ? It is all ...
look at them without flinching ( which is not the same thing as to look at them without sadness ) . Why has that encounter become so taboo ? What is so discomforting about postmortem photography ? What makes it so different ? It is all ...
Síða 131
... look like , both theoretically and practically , when and where it no longer has a " seam " between the inside and the outside ? After all , all states have always defined themselves , first and last , on their occupation of a defined ...
... look like , both theoretically and practically , when and where it no longer has a " seam " between the inside and the outside ? After all , all states have always defined themselves , first and last , on their occupation of a defined ...
Síða 17
... look . Indeed , the look back at the cam- era proves inauthenticity . When the Balinese in trance look at the camera , it can't be read as an altered state which is passive . What is so telling is this desire to dichotomize the fake ...
... look . Indeed , the look back at the cam- era proves inauthenticity . When the Balinese in trance look at the camera , it can't be read as an altered state which is passive . What is so telling is this desire to dichotomize the fake ...
Efni
Letter from the General Editor | 3 |
Divining Ayahuasca | 13 |
Telling True Stories or The Immanent Ethics of Material Spirit and | 34 |
Höfundarréttur | |
16 aðrir hlutar ekki sýndir
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