Discourse, Bindi 27-282006 |
From inside the book
Niðurstöður 1 - 3 af 37
Síða 167
... filmmaker herself , who considers it legitimate , but decid- edly generational : " they need that film , and I understand that they need it , but it is not my place to do it , or I don't feel like doing it [ . . . ] . " If her parents ...
... filmmaker herself , who considers it legitimate , but decid- edly generational : " they need that film , and I understand that they need it , but it is not my place to do it , or I don't feel like doing it [ . . . ] . " If her parents ...
Síða 168
... filmmaker's instructions and comments on her acting . These shifts draw attention to the script that is being followed in the color sequences , subjecting to analysis the role the filmmaker could be expected to play , while it raises ...
... filmmaker's instructions and comments on her acting . These shifts draw attention to the script that is being followed in the color sequences , subjecting to analysis the role the filmmaker could be expected to play , while it raises ...
Síða 171
... filmmaker and actress , is emblematic of the film's refusal to adopt identification as a strategy to address the past , for , indeed , who are we to identify with when the filmmaker interviews " her " own actress ? Thus , rather than ...
... filmmaker and actress , is emblematic of the film's refusal to adopt identification as a strategy to address the past , for , indeed , who are we to identify with when the filmmaker interviews " her " own actress ? Thus , rather than ...
Efni
Letter from the Editor | 3 |
Material Spirit | 34 |
The Resurrection of the Body | 67 |
Höfundarréttur | |
15 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
aesthetic alethiometer American appears Arab argues ayahuasca Bali Balinese become body Bungakuron buraku Bush Bush's called Christian cinema coincidentia consciousness critical culture daemon Dark Materials dead death deconstruction Deleuze Derrida discourse Don Justo Dust Espinosa essay eternity experience Exquisite Corpse fact figure film's filmmaker Forbidden Quest García Ponce ghost Godard Gutres human Ibid images of suffering Japan Japanese Juan García Ponce koan Korean la silla language Ledeen Lemmy Leo Cahill literature living Lyra Marty material Mead means modern monogatari movement mulefa Nakagami Nakagami Kenji narrative neoconservative Novalis object ontology philosophy photograph poem political possible Pullman's reading reality relation rhetoric rhythm Rihani Schmitt secret sense sexual social Sontag Sōseki sovereign sovereignty space spectator spirit story subtle knife suggests temporal things thought tion trance Trans truth ture University Press viewer Warhol Wayne State University words writing York