Discourse, Bindi 27-282006 |
From inside the book
Niðurstöður 1 - 3 af 57
Síða 101
... films provide a fraught yet extremely generative starting point for a queer and fem- inist reading of Warhol's cinema . Of the Sedgwick films , Outer and Inner Space ( 1965 ) has received perhaps the most critical attention : its split ...
... films provide a fraught yet extremely generative starting point for a queer and fem- inist reading of Warhol's cinema . Of the Sedgwick films , Outer and Inner Space ( 1965 ) has received perhaps the most critical attention : its split ...
Síða 31
... films ' radical indeterminacy , I want to suggest that part of the attraction of these films for audiences lies in their mode of articu- lation , a term that requires some adaptation if it is to be useful for describing avant - garde film ...
... films ' radical indeterminacy , I want to suggest that part of the attraction of these films for audiences lies in their mode of articu- lation , a term that requires some adaptation if it is to be useful for describing avant - garde film ...
Síða 32
... film , Arnulf Rainer ( 1960 ) , was the first of a number of films made in the sixties , which exper- imented with the visual effects created by the rapid alternation between solid colored film frames . Arnulf Rainer uses black and white ...
... film , Arnulf Rainer ( 1960 ) , was the first of a number of films made in the sixties , which exper- imented with the visual effects created by the rapid alternation between solid colored film frames . Arnulf Rainer uses black and white ...
Efni
Letter from the Editor | 3 |
Material Spirit | 34 |
The Resurrection of the Body | 67 |
Höfundarréttur | |
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