Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 24Indiana University Press, 1979 |
From inside the book
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Síða 20
... Bataille himself never lost nor satisfied his desire to master the scenes at Lascaux , not least of which included the scene in the shaft , which has attracted the most attention . Bataille describes the scene : [ A ] man with a bird's ...
... Bataille himself never lost nor satisfied his desire to master the scenes at Lascaux , not least of which included the scene in the shaft , which has attracted the most attention . Bataille describes the scene : [ A ] man with a bird's ...
Síða 25
... Bataille continues , except through the expe- dient of the image , the spectacle . ( 93 ) It is eros that , according to Bataille , facilitates the impossible phenomenality of witnessing and surviving one's own death . Fur- thermore ...
... Bataille continues , except through the expe- dient of the image , the spectacle . ( 93 ) It is eros that , according to Bataille , facilitates the impossible phenomenality of witnessing and surviving one's own death . Fur- thermore ...
Síða 26
... Bataille feels drawn . The disjunction of the spectator from the spectacle and the metaphysical implications that adhere to that severance - the tearing of humanity from the natural world — are represented for Bataille in the enigma of ...
... Bataille feels drawn . The disjunction of the spectator from the spectacle and the metaphysical implications that adhere to that severance - the tearing of humanity from the natural world — are represented for Bataille in the enigma of ...
Efni
Dont Know | 8 |
Kneeling Angel with Mountainous Wings a k a Toward | 23 |
Because the Night A Sentimental | 38 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera Carlist cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light Lippit living look material memory mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York