Discourse, Bindi 111989 |
From inside the book
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Síða 11
... non - Han women in Mainland Chinese cinema , and the mapping out of differences among the non - Han according to the dominant Han's own political and ethical agendas . As a Han woman herself , Yau's exploration of the dominant and ...
... non - Han women in Mainland Chinese cinema , and the mapping out of differences among the non - Han according to the dominant Han's own political and ethical agendas . As a Han woman herself , Yau's exploration of the dominant and ...
Síða 120
... non - Han peoples as a generic group . Favoritist tactics in these films were multiple : selection of apparent subject matters akin to non - Han interests , ethnic consultants to ensure verisimilitude on many levels of representation ...
... non - Han peoples as a generic group . Favoritist tactics in these films were multiple : selection of apparent subject matters akin to non - Han interests , ethnic consultants to ensure verisimilitude on many levels of representation ...
Síða 125
... Han Chinese continue to represent the non - Han in their own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to represent the countryside peasants ) . In this case , the ...
... Han Chinese continue to represent the non - Han in their own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to represent the countryside peasants ) . In this case , the ...
Efni
JOURNAL | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's Peter Chan pleasure political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth