Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 111989 |
From inside the book
Niðurstöður 1 - 3 af 49
Síða 95
... identity , is abandoned in favor of more disquieting ones , namely those linked to masquerade until everything is ... identity but in a spiral - like energy wavering between exclusion and inclusion , a choreography of permanent non ...
... identity , is abandoned in favor of more disquieting ones , namely those linked to masquerade until everything is ... identity but in a spiral - like energy wavering between exclusion and inclusion , a choreography of permanent non ...
Síða 100
... identity as a fantasy and , in the same gesture , to trouble , break up , or rupture the visual field before our eyes . ' " 15 - II - - Madame X , Ottinger's first feature - length film , occupies a central position within the body of ...
... identity as a fantasy and , in the same gesture , to trouble , break up , or rupture the visual field before our eyes . ' " 15 - II - - Madame X , Ottinger's first feature - length film , occupies a central position within the body of ...
Síða 12
... identity , " the film engages the viewer in the cinematic body as spectacle , and is structured around five central sequences whose composition relates to film stills from five well - known films , A Married Woman , Pierrot le fou ...
... identity , " the film engages the viewer in the cinematic body as spectacle , and is structured around five central sequences whose composition relates to film stills from five well - known films , A Married Woman , Pierrot le fou ...
Efni
JOURNAL | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
10 aðrir hlutar ekki sýndir
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's Peter Chan pleasure political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth