Discourse, Bindi 111989 |
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Síða 121
... Aschenbach's desire ? Death in Venice is a story so well known that it can be taken as a parable of the dominant discourse of aging in the West . We remember that Aschenbach is a failing writer ( in this modernist narrative aging and ...
... Aschenbach's desire ? Death in Venice is a story so well known that it can be taken as a parable of the dominant discourse of aging in the West . We remember that Aschenbach is a failing writer ( in this modernist narrative aging and ...
Síða 122
Aschenbach is filled " with disgust of his own aging body . " How to mitigate his self - revulsion ? How to attract youth ? He turns to his appearance , adding the insignia of youth ( he " brightened his dress with smart ties and ...
Aschenbach is filled " with disgust of his own aging body . " How to mitigate his self - revulsion ? How to attract youth ? He turns to his appearance , adding the insignia of youth ( he " brightened his dress with smart ties and ...
Síða 123
... Aschenbach's , imperiously imply that they should know better and that we do.2 - - cannot Death in Venice takes a dark if not tragic view of the aging body - in - masquerade . The implication in this modernist text is that youth and age ...
... Aschenbach's , imperiously imply that they should know better and that we do.2 - - cannot Death in Venice takes a dark if not tragic view of the aging body - in - masquerade . The implication in this modernist text is that youth and age ...
Efni
JOURNAL | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's Peter Chan pleasure political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth