Discourse, Bindi 11-121988 |
From inside the book
Niðurstöður 1 - 3 af 41
Síða 32
be " closer " to the viewer , " plus proche " as Sartre says , yet farther away , as I have argued here ? - In relation to the viewer , says Sartre , the image of the film actor " dominates from above . The viewer is squashed : low ...
be " closer " to the viewer , " plus proche " as Sartre says , yet farther away , as I have argued here ? - In relation to the viewer , says Sartre , the image of the film actor " dominates from above . The viewer is squashed : low ...
Síða 42
... viewer at the same time that it becomes a dominating enigma . This landscape is quite unlike that of Greed ( 1924 ) , where Sartre evidently saw a spiritual stage generating a certain kind of human performer . In Playtime , the viewer ...
... viewer at the same time that it becomes a dominating enigma . This landscape is quite unlike that of Greed ( 1924 ) , where Sartre evidently saw a spiritual stage generating a certain kind of human performer . In Playtime , the viewer ...
Síða 44
... viewer , implicating itself in him or her . But it cannot be said of Marker's landscape that it absorbs and escapes the viewer in that one - to - one relationship which informs the individualistic , humanist anxiety of Tati's work ...
... viewer , implicating itself in him or her . But it cannot be said of Marker's landscape that it absorbs and escapes the viewer in that one - to - one relationship which informs the individualistic , humanist anxiety of Tati's work ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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