Discourse, Bindi 11-121988 |
From inside the book
Niðurstöður 1 - 3 af 76
Síða 176
... production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa , that when taken together gives the reader the important comprehension of Black emergent ...
... production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa , that when taken together gives the reader the important comprehension of Black emergent ...
Síða 177
... production in Anglophone Africa in print in English . While Diawara's observations about the obstacles to the development of a fully popular and commercially viable Black cinema in Africa parallel many of the issues Snead and Pines ...
... production in Anglophone Africa in print in English . While Diawara's observations about the obstacles to the development of a fully popular and commercially viable Black cinema in Africa parallel many of the issues Snead and Pines ...
Síða 57
... production . The necessity of the producer is its reason ; it is subsequently turned into the " virtue " of a collective which in reality does not exist . He who presumes a late - capitalist rationality of the process of production in ...
... production . The necessity of the producer is its reason ; it is subsequently turned into the " virtue " of a collective which in reality does not exist . He who presumes a late - capitalist rationality of the process of production in ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
7 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth