Discourse, Bindi 11-121988 |
From inside the book
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Síða 11
... non - Han women in Mainland Chinese cinema , and the mapping out of differences among the non - Han according to the dominant Han's own political and ethical agendas . As a Han woman herself , Yau's exploration of the dominant and ...
... non - Han women in Mainland Chinese cinema , and the mapping out of differences among the non - Han according to the dominant Han's own political and ethical agendas . As a Han woman herself , Yau's exploration of the dominant and ...
Síða 120
... non - Han peoples as a generic group . Favoritist tactics in these films were multiple : selection of apparent subject matters akin to non - Han interests , ethnic consultants to ensure verisimilitude on many levels of representation ...
... non - Han peoples as a generic group . Favoritist tactics in these films were multiple : selection of apparent subject matters akin to non - Han interests , ethnic consultants to ensure verisimilitude on many levels of representation ...
Síða 125
... Han Chinese continue to represent the non - Han in their own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to represent the countryside peasants ) . In this case , the ...
... Han Chinese continue to represent the non - Han in their own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to represent the countryside peasants ) . In this case , the ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth