Discourse, Bindi 11-121988 |
From inside the book
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Síða 9
... Milhaud's appropriation of jazz is also operative in Bartok's and Stravinsky's assimilation of folk music , and in the various modernist uses of imagery from the circus or the com- media dell'arte ( Satie , Picasso , Stravinsky ) . That ...
... Milhaud's appropriation of jazz is also operative in Bartok's and Stravinsky's assimilation of folk music , and in the various modernist uses of imagery from the circus or the com- media dell'arte ( Satie , Picasso , Stravinsky ) . That ...
Síða 17
... Milhaud's appropriation of Brazilian music was doubly shocking : first the shock to Milhaud's own system of musical expectations , and then the quite different shock to the Parisian audiences of his Brazilian - inspired music ...
... Milhaud's appropriation of Brazilian music was doubly shocking : first the shock to Milhaud's own system of musical expectations , and then the quite different shock to the Parisian audiences of his Brazilian - inspired music ...
Síða 24
... Milhaud was trying to make his own independent contribution to a movement in which he so far had only been a supporting player . But what he thought to be a major breakthrough - the first symphony for a jazz orchestra - turned out to be ...
... Milhaud was trying to make his own independent contribution to a movement in which he so far had only been a supporting player . But what he thought to be a major breakthrough - the first symphony for a jazz orchestra - turned out to be ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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