Discourse, Bindi 11-121988 |
From inside the book
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Síða 14
... Milhaud's interplay as a modernist with popular culture . What is more interesting than his doubtful authentic ... Milhaud and Stravinsky ultimately both approach jazz in the manner of the Baudelairean flâneur , who is more akin to ...
... Milhaud's interplay as a modernist with popular culture . What is more interesting than his doubtful authentic ... Milhaud and Stravinsky ultimately both approach jazz in the manner of the Baudelairean flâneur , who is more akin to ...
Síða 17
... Milhaud's appropriation of Brazilian music was doubly shocking : first the shock to Milhaud's own system of musical expectations , and then the quite different shock to the Parisian audiences of his Brazilian - inspired music ...
... Milhaud's appropriation of Brazilian music was doubly shocking : first the shock to Milhaud's own system of musical expectations , and then the quite different shock to the Parisian audiences of his Brazilian - inspired music ...
Síða 26
... Milhaud , Notes without Music , trans . Donald Evans ( New York : Knopf , 1953 ) 118 ( henceforth NWM ) . This is Milhaud's autobiog- raphy , not to be confused with Notes sur la musique , which is a collection of his essays . Jean ...
... Milhaud , Notes without Music , trans . Donald Evans ( New York : Knopf , 1953 ) 118 ( henceforth NWM ) . This is Milhaud's autobiog- raphy , not to be confused with Notes sur la musique , which is a collection of his essays . Jean ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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