Discourse, Bindi 11-121988 |
From inside the book
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Síða 19
... Cocteau , who without much musical knowledge managed to turn his consumption of jazz into the well - recog- nized emblem of his own brand of avant - garde practice . Milhaud became connected with Cocteau primarily through his member ...
... Cocteau , who without much musical knowledge managed to turn his consumption of jazz into the well - recog- nized emblem of his own brand of avant - garde practice . Milhaud became connected with Cocteau primarily through his member ...
Síða 23
... Cocteau himself on a drum set borrowed from Stravinsky . For a touch of authenticity , they advertised for , and got , a " negro " saxophonist and banjo player , Vance Lowry , who Cocteau judged to be " delicious " and a " demon of ...
... Cocteau himself on a drum set borrowed from Stravinsky . For a touch of authenticity , they advertised for , and got , a " negro " saxophonist and banjo player , Vance Lowry , who Cocteau judged to be " delicious " and a " demon of ...
Síða 27
... Cocteau , " La Jeunesse et le scandale " 316-19 . 28 Maurice Sachs , La Décade de l'illusion ( Paris : Gallimard , 1932 ) 21 ; my translation . 29 Cocteau , qtd . in Steegmuller 138-39 , 163 . 30 Sachs , La Décade de l'illusion 23-24 ...
... Cocteau , " La Jeunesse et le scandale " 316-19 . 28 Maurice Sachs , La Décade de l'illusion ( Paris : Gallimard , 1932 ) 21 ; my translation . 29 Cocteau , qtd . in Steegmuller 138-39 , 163 . 30 Sachs , La Décade de l'illusion 23-24 ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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