Discourse, Bindi 11-121988 |
From inside the book
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Síða 113
... Anderson in deconstructive mode . " It is dedicated to Massenet and refers obliquely to his Le Jongleur de Notre Dame , a fairly obscure opera from 1902. Anderson's piece invokes this opera in two ways . First , the opera contains an ...
... Anderson in deconstructive mode . " It is dedicated to Massenet and refers obliquely to his Le Jongleur de Notre Dame , a fairly obscure opera from 1902. Anderson's piece invokes this opera in two ways . First , the opera contains an ...
Síða 57
... Anderson plays on the boundaries , she performs the forming and deforming of the frames underwriting the law of genre . Let me take an example from the piece to illustrate this . In " For a Large and Changing Room " Anderson has a slide ...
... Anderson plays on the boundaries , she performs the forming and deforming of the frames underwriting the law of genre . Let me take an example from the piece to illustrate this . In " For a Large and Changing Room " Anderson has a slide ...
Síða 59
... Anderson's case though , this articulation of the uncanny is also used to theorize the frame of contemporary performance art . Throughout the performance of United States , Anderson addresses her audience through what she calls " The ...
... Anderson's case though , this articulation of the uncanny is also used to theorize the frame of contemporary performance art . Throughout the performance of United States , Anderson addresses her audience through what she calls " The ...
Efni
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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