Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 83
Síða 39
... women photographers ' project : " The group contin- ued the futile discussion for some time . " Shortly after ... women for an audience of women . At a few points they may coincide , as when Kluge's narrator quotes proverbs and ...
... women photographers ' project : " The group contin- ued the futile discussion for some time . " Shortly after ... women for an audience of women . At a few points they may coincide , as when Kluge's narrator quotes proverbs and ...
Síða 32
... women painters at the Brooklyn Museum : when asked “ Are there no black women painters represented here ? " ( none of them is , apparently ) , a white woman feminist simply replies " It's a women's exhibit ! ” 30 * * What is woman ...
... women painters at the Brooklyn Museum : when asked “ Are there no black women painters represented here ? " ( none of them is , apparently ) , a white woman feminist simply replies " It's a women's exhibit ! ” 30 * * What is woman ...
Síða 55
... women when , after his visit to Algiers , he makes the following remarks about the harem in his journal : “ It's beautiful ! It's the way things were in Homer's day ! The wife in the women's quarters , looking after the chil- dren ...
... women when , after his visit to Algiers , he makes the following remarks about the harem in his journal : “ It's beautiful ! It's the way things were in Homer's day ! The wife in the women's quarters , looking after the chil- dren ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing