Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 42
Síða 139
... visual impressions , a very vivid visual memory , very probably goes along here with a very strong propensity for daydreaming , when you see in your mind's eye whatever your are thinking about or remembering , like a film ...
... visual impressions , a very vivid visual memory , very probably goes along here with a very strong propensity for daydreaming , when you see in your mind's eye whatever your are thinking about or remembering , like a film ...
Síða 44
... visual perception when it comes to examine the perception of film . In spite of the difficul- ties inherent to every consideration of images from a strictly percep- tual point of view , these theories have always insisted on describing ...
... visual perception when it comes to examine the perception of film . In spite of the difficul- ties inherent to every consideration of images from a strictly percep- tual point of view , these theories have always insisted on describing ...
Síða 53
... visual indications , since Godard's presence is pervasive throughout the interviews , and a number of deictic marks ... visual terms ( visibility , framing , etc .... ) . How- ever , it would be hazardous to derive from this visual ...
... visual indications , since Godard's presence is pervasive throughout the interviews , and a number of deictic marks ... visual terms ( visibility , framing , etc .... ) . How- ever , it would be hazardous to derive from this visual ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing