Discourse, Útgáfur 5-8 |
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Síða 61
... tion . Long after having pretty much eliminated the word " attraction " from his vocabulary , Eisenstein returned in an even more insistent and often more precise manner to this problem . He did so first of all with the theory of ...
... tion . Long after having pretty much eliminated the word " attraction " from his vocabulary , Eisenstein returned in an even more insistent and often more precise manner to this problem . He did so first of all with the theory of ...
Síða 124
... tion , producing the crown , the scepter , the orb , the eagles , the czar's name before us in a hyperarticulated way , functions as a kind of written discourse ( which in this particular case would come to represent some- thing like a ...
... tion , producing the crown , the scepter , the orb , the eagles , the czar's name before us in a hyperarticulated way , functions as a kind of written discourse ( which in this particular case would come to represent some- thing like a ...
Síða 105
... tion ( as in ' historical ' films ) or by insisting on some form of ' materi- ality ' of the image ( as in Farocki's treatment of images as ' docu- ments ' for instance ) . In the former case ( and this includes most filmed or televised ...
... tion ( as in ' historical ' films ) or by insisting on some form of ' materi- ality ' of the image ( as in Farocki's treatment of images as ' docu- ments ' for instance ) . In the former case ( and this includes most filmed or televised ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing