Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 44
Síða 60
... theme treated . ( Once again , and as before , for " fragment " , this play on words is meaningful only in French ( or English ) , and the sole definition of the word " attraction " in Russian and in Eisenstein remains the first one ...
... theme treated . ( Once again , and as before , for " fragment " , this play on words is meaningful only in French ( or English ) , and the sole definition of the word " attraction " in Russian and in Eisenstein remains the first one ...
Síða 128
... themes in this passage : 26 the " betrayal " theme , written with rather staccato chords played on the strings , and the " death " theme , a kind of rapid chromatic descent executed by the solo violin . What strikes the atten- tion ...
... themes in this passage : 26 the " betrayal " theme , written with rather staccato chords played on the strings , and the " death " theme , a kind of rapid chromatic descent executed by the solo violin . What strikes the atten- tion ...
Síða 130
... theme scans the whole passage , or , more precisely , it has the effect of putting the whole of the sound track , music , sound effects , and words , entirely in a rapport of scansion with the image . When this effect reaches its most ...
... theme scans the whole passage , or , more precisely , it has the effect of putting the whole of the sound track , music , sound effects , and words , entirely in a rapport of scansion with the image . When this effect reaches its most ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing