Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 28
Síða 58
... television as it had once more demonstrated its impermeability to crucial layers of experi- ence . Given its public status in the Federal Republic , television occu- pies a precarious position in the changing structure of the public ...
... television as it had once more demonstrated its impermeability to crucial layers of experi- ence . Given its public status in the Federal Republic , television occu- pies a precarious position in the changing structure of the public ...
Síða 59
... television politics , the ter- rorists ' funeral intercuts video footage with 35mm , underlining the impossibility of mourning in the face of an ubiquitous host of police cameras ; the slow pace and duration of the whole sequence ...
... television politics , the ter- rorists ' funeral intercuts video footage with 35mm , underlining the impossibility of mourning in the face of an ubiquitous host of police cameras ; the slow pace and duration of the whole sequence ...
Síða 94
... television ( and thus to educate a mass audience politically ) or for the cinema ( the option of those who reject the much - publicized idea of the " amphibious " film ) : " Between the Wars , " came the answer , " is made against ...
... television ( and thus to educate a mass audience politically ) or for the cinema ( the option of those who reject the much - publicized idea of the " amphibious " film ) : " Between the Wars , " came the answer , " is made against ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing