Discourse, Útgáfur 5-8 |
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Síða 79
... tango is unique each time . The tango is constructed each time . It is invented . Just as there are no two identical fingerprints , there are never two identical tangos . I danced , therefore , with the man who , better than the others ...
... tango is unique each time . The tango is constructed each time . It is invented . Just as there are no two identical fingerprints , there are never two identical tangos . I danced , therefore , with the man who , better than the others ...
Síða 93
... tango as well , yet it is a much more complicated and ambiguous construction . Os- tensibly , the subject of the historical tango is male : " It has always been held that the tango was ' men's music . ' In the beginning , when this ...
... tango as well , yet it is a much more complicated and ambiguous construction . Os- tensibly , the subject of the historical tango is male : " It has always been held that the tango was ' men's music . ' In the beginning , when this ...
Síða 99
... Tango : Theme of Class and Nation , " Ethnomusi- cology 20 ( 1976 ) : 273-91 , and " The Politics of Aesthetic Debate : The Case of Brazilian Carnival , " Ethnology 21.4 ( 1982 ) : 301-11 . In these two studies Taylor discusses popular ...
... Tango : Theme of Class and Nation , " Ethnomusi- cology 20 ( 1976 ) : 273-91 , and " The Politics of Aesthetic Debate : The Case of Brazilian Carnival , " Ethnology 21.4 ( 1982 ) : 301-11 . In these two studies Taylor discusses popular ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing