Discourse, Útgáfur 5-8 |
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Síða 8
... speech is problematized as speaking with no speech or not speaking as speech . " What is heard on the soundtrack of this film is the very absence of a verbal commentary and of spoken words ; only a brief wordless tune interrupts the ...
... speech is problematized as speaking with no speech or not speaking as speech . " What is heard on the soundtrack of this film is the very absence of a verbal commentary and of spoken words ; only a brief wordless tune interrupts the ...
Síða 124
... speech . The punishments I received for " talking back " were intended to suppress all possibility that I would create my own speech . That speech was to be suppressed so the " right speech of womanhood " would emerge . Within feminist ...
... speech . The punishments I received for " talking back " were intended to suppress all possibility that I would create my own speech . That speech was to be suppressed so the " right speech of womanhood " would emerge . Within feminist ...
Síða 125
handling , expressing the intensity of my sorrow , the anguish of speech for I was always saying the wrong thing , asking the wrong questions . I could not confine my speech to the necessary corners and concerns of life . These writings ...
handling , expressing the intensity of my sorrow , the anguish of speech for I was always saying the wrong thing , asking the wrong questions . I could not confine my speech to the necessary corners and concerns of life . These writings ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing