Discourse, Útgáfur 5-8 |
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Síða 64
... spectator to a sensory or psychic action verified by means of experiment and mathematically calculated to produce in the spectator certain emotional shocks which , in turn , once they have been united , alone determine the possibility ...
... spectator to a sensory or psychic action verified by means of experiment and mathematically calculated to produce in the spectator certain emotional shocks which , in turn , once they have been united , alone determine the possibility ...
Síða 59
... spectator into the complacent security of a world- wise subject of the state is more likely to irritate the spectator in the cinema who , after all , came to see a single feature film . From the per- spective of the latter , Germany in ...
... spectator into the complacent security of a world- wise subject of the state is more likely to irritate the spectator in the cinema who , after all , came to see a single feature film . From the per- spective of the latter , Germany in ...
Síða 60
... spectators . 13 The notion of the film in the spectator's head prompts a com- parison with psychoanalytic film theory , in particular the writings of Metz in The Imaginary Signifier.14 In the classic essay of the same title , Metz ...
... spectators . 13 The notion of the film in the spectator's head prompts a com- parison with psychoanalytic film theory , in particular the writings of Metz in The Imaginary Signifier.14 In the classic essay of the same title , Metz ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing