Discourse, Útgáfur 5-8 |
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Síða 60
... Signifier.14 In the classic essay of the same title , Metz analyzes spectatorship as a repressed instance of cinematic textu- ality , elaborating on mechanisms such as the mirroring effect and pri- mary identification , the ...
... Signifier.14 In the classic essay of the same title , Metz analyzes spectatorship as a repressed instance of cinematic textu- ality , elaborating on mechanisms such as the mirroring effect and pri- mary identification , the ...
Síða 109
... signifiers had introduced into classical sound cinema practice . Whereas classical narrative , and even more so , television ... signifier of difference itself and the mastercode not only for other systems of difference but for the rein ...
... signifiers had introduced into classical sound cinema practice . Whereas classical narrative , and even more so , television ... signifier of difference itself and the mastercode not only for other systems of difference but for the rein ...
Síða 118
... Signifiers ( i.e. , what exceeds meaning , makes it overflow and reach further , in the direction of desire ) ... signifier . In the wall writings ( they are everywhere ) , the brush of the anonymous scribe ( a worker , a peasant ) ...
... Signifiers ( i.e. , what exceeds meaning , makes it overflow and reach further , in the direction of desire ) ... signifier . In the wall writings ( they are everywhere ) , the brush of the anonymous scribe ( a worker , a peasant ) ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing