Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 20
Síða 10
... difference between East and West . Thus Edda produces a photo montage of the two Berlins , emphasizing their ... sexual difference , for the subjective limits articulated by the existing symbolic order both in East and West . The wall ...
... difference between East and West . Thus Edda produces a photo montage of the two Berlins , emphasizing their ... sexual difference , for the subjective limits articulated by the existing symbolic order both in East and West . The wall ...
Síða 19
... sexual differentiation . The mirror relationship of the two shots in the ... difference . When the false bun falls out of the working woman's hair , the ... sexual difference , but it articu- lates an altogether different scopic field ...
... sexual differentiation . The mirror relationship of the two shots in the ... difference . When the false bun falls out of the working woman's hair , the ... sexual difference , but it articu- lates an altogether different scopic field ...
Síða 31
... difference with a question : " Where is she ? " Cixous projects a re- trieval of femininity away from the realm of ... sexual hierarchy ; and then proceeded to examine the risk , in such reversals , of pre- serving the very dualism in ...
... difference with a question : " Where is she ? " Cixous projects a re- trieval of femininity away from the realm of ... sexual hierarchy ; and then proceeded to examine the risk , in such reversals , of pre- serving the very dualism in ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing