Discourse, Útgáfur 5-8 |
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Síða 30
... represented , that which is unspoken , that which is left out of namings and ideologies . 19 She is referring , of course , to the Western platonic philosophical tradi- tion which takes man as its term of reference and simply poses ...
... represented , that which is unspoken , that which is left out of namings and ideologies . 19 She is referring , of course , to the Western platonic philosophical tradi- tion which takes man as its term of reference and simply poses ...
Síða 98
... represented may even disappear . Then , instead of a sculpture , we shall have an architecture , from which the figurative dimension is absent , but in which the dimension of representation of the phenomena of nature and in particular ...
... represented may even disappear . Then , instead of a sculpture , we shall have an architecture , from which the figurative dimension is absent , but in which the dimension of representation of the phenomena of nature and in particular ...
Síða 115
... represented by actors staging what Farocki calls the picture - motifs of Vietnam : A GI , flat on the ground listening with a stethoscope for underground tunnels ; the execution by the chief of police of a Vietcong prisoner in a Saigon ...
... represented by actors staging what Farocki calls the picture - motifs of Vietnam : A GI , flat on the ground listening with a stethoscope for underground tunnels ; the execution by the chief of police of a Vietcong prisoner in a Saigon ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing