Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 73
Síða 37
... representation which engages the spectators as subjects . Representation , as Stephen Heath puts it , " names the process of the engagement of sub- jectivity in meaning , the poles of which are the signifier and the subject but which is ...
... representation which engages the spectators as subjects . Representation , as Stephen Heath puts it , " names the process of the engagement of sub- jectivity in meaning , the poles of which are the signifier and the subject but which is ...
Síða 113
... representation aims to give the impression ) will in a way be split by this contradiction between a unifying ... Representation Assuming , then , the existence , at least ideally , of such prepara- tory work on the scene , in its ...
... representation aims to give the impression ) will in a way be split by this contradiction between a unifying ... Representation Assuming , then , the existence , at least ideally , of such prepara- tory work on the scene , in its ...
Síða 118
... representation as visibility and voice itself , so much part of the militant ideology of the 1970s : " It's easy to do something systematically , like a machine . And it is easy to do something new , and once only , like an aritst ...
... representation as visibility and voice itself , so much part of the militant ideology of the 1970s : " It's easy to do something systematically , like a machine . And it is easy to do something new , and once only , like an aritst ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
1 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing