Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 77
Síða 22
... relations of power and pleasure , with individuals and groups assuming variable posi- tions or positionalities . Power is ... relation to power , [ but ] by definition , they can only exist in the strategic field of power relations ...
... relations of power and pleasure , with individuals and groups assuming variable posi- tions or positionalities . Power is ... relation to power , [ but ] by definition , they can only exist in the strategic field of power relations ...
Síða 28
... relation implies . Instead , it raids the existing discursive field , carrying away what it can use and abandoning ... relations . It not only critiques orthodox usage , but practices a creatively non - orthodox discursivity . Last , but ...
... relation implies . Instead , it raids the existing discursive field , carrying away what it can use and abandoning ... relations . It not only critiques orthodox usage , but practices a creatively non - orthodox discursivity . Last , but ...
Síða 113
... relation to her concern with the ref- erent : to stake out and struggle for a space within the already con- stituted discourses of the audible and the visible where feminist ex- perience can be heard and seen . Farocki's film is ...
... relation to her concern with the ref- erent : to stake out and struggle for a space within the already con- stituted discourses of the audible and the visible where feminist ex- perience can be heard and seen . Farocki's film is ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing