Discourse, Útgáfur 5-8 |
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Síða 8
... present imposes more experience upon us . An immense promotion of the immediate present to the rank of the historic and of personal experience to the rank of legend is being effected at the very moment when historians find themselves ...
... present imposes more experience upon us . An immense promotion of the immediate present to the rank of the historic and of personal experience to the rank of legend is being effected at the very moment when historians find themselves ...
Síða 18
... present , instead of uncons- ciously causing the present to emerge in the past . Today we know that the Night of August 4 , 1789 , was not merely the hysterical masquerade which Raymond Aron saw in the university student assemblies held ...
... present , instead of uncons- ciously causing the present to emerge in the past . Today we know that the Night of August 4 , 1789 , was not merely the hysterical masquerade which Raymond Aron saw in the university student assemblies held ...
Síða 19
historian of the present . Even when the historian of the present is proven wrong by sub- sequent events , even when they make a mockery of his / her provisional attributions and wipe out the causal series he / she has established and ...
historian of the present . Even when the historian of the present is proven wrong by sub- sequent events , even when they make a mockery of his / her provisional attributions and wipe out the causal series he / she has established and ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing